Could you imagine a movie without sound in the 21st century? Could you sit in a theatre and experience the cinematography alone, without a background of sound, music and edited dialogue and special effects? Chances are you are just thinking that I am full of shit about right now, right? Sorry about the lame question, but… the answer is as obvious as the blog on my face. Last year, the academy impressed me with it’s selection process with it’s choice for Best Musical Composition, “Falling Slowly” from the film, “Once” written and performed by Glen Hansard and Marketa Irgova. There was stiff competition considering that, “Enchanted” composers Alan Menken: Lyrics by Stephen Schwartz had three nominated pieces (these guys are known quantities, “In da biz”) and considering the great cinematic effort to include musicians in a fun and dare I say, animated park scene this was stiff competition. However, the stark simplicity and pureness of “Falling Slowly” was just too much for the big orchestral and bombastic production of the “other” choices. I know, there is a rub that the orchestra was unnecessary, but that still does not take away from the stark simplicity and sparseness of a great performance of a great song, it merely embellished in this bloggers opinion. Again, I believe that we are all getting too jaded and too negative to appreciate how good Oscar was last year. We need to appreciate that for the cost of admission (free on TV) these shows offer great entertainment value and yes, they can always be better, but damn, in my opinion that show went buy in a hurry and I was left wanting more. In anticipation of this years event, I am looking for Slumdog Millionaire to win, “Best Picture”, Mickey Rourke to win best actor for his performance in, “The Wrestler” although Brad Pitt may trump with his stellar performance in. “Benjamin Button”. Meryl Streep should grab top honors for, “Doubt” but it will be a dog fight with the beautiful and talented, Kate Winslett. Actor in a supporting role will go to Heath Ledger posthumously (great sadness) for his amazing performance as “The Joker” in, Dark Night. I am giving the nod to Marisa Tomei in the Wrestler for Best Actress in a Supporting Role, although it will be close with Penelope Cruz and Amy Adams hot on the trail (too close to call). As for this years, “Best Musical Composition” I am pulling for Peter Gabriel in Wall-E, but Danny Elfman may get the nod for “Milk”. None of these are as outright to pick as last years “Falling Slowly” and lord knows I am picking my favorites in anticipation of another great show. So those are my picks. Your thoughts?
Oscar & Why the Music Makes a Movie
February 11th, 2009Phunkphest
December 20th, 2008
- Terry J – Vocals
- Brian Tucker – Bass Guitar
- Angelo J – Guitar
- Spiderman – Keyboards
- Bob Bareilles – Drums
- Dave Stone – Alto/Tenor Sax
- Tom Poole – Trumpet
- Ed Early – Trombone
- Tom Pollitzer – Tenor Sax
*Special guests – Elvin Bishop, Gypsy, Tony Baker. The band has evolved into separate identities as of late. Brian started BT & the Beats, Paul and Anthony have been doing some rock shows with Kitt as the Paul Skrabo Band and I have been shedding in my 32 track studio, writing and engineering some new music. Brian Tucker and I decided to put together a phunk spectacular at O’Neill’s in San Mateo to make some holiday magic. The band was red hot, covering classic hummerz.net phunk repertoire with Terry J on lead voc’s. Tom Pollitzer (Tower Of Power) joined Dave Stone (Huey Lewis), Tom Poole (Etta James, Tommy Castro) and Ed Early (Elvin Bishop) and the Section Six horns made for some very phunky moments. The event was very well received. We plan on phunking out again soon, so stay tuned for more!
Block Party 8/20 Final
August 21st, 2008
Menlo Park Chamber of Commerce celebrated it’s final Block Party event of the season to rave reviews by all who attended. Pictures tell the story of friends and families reveling in the open and green streets of Menlo Park. Thanks to all of our friends and families that attended and who support The Fabulous Hummerz.
Menlo Park “Block Party” 8/6/08
August 7th, 2008Starry Night @ USC 07/08
July 16th, 2008The NARAS or Grammy folks put on an event honoring Sir George Martin (The fifth Beatle) for his musical and engineering contributions (finally). It was held on the campus of USC, outdoors and featured a list of up and coming as well as luminaries with whom we all are acquainted, ie. Tom Jones, Burt Bacharach, Chris Botti, Dave Grusin, Michael McDonald and Jimmy Webb. However, the man who stole the evenings show was Jeff Beck who appeared with his bassist, Tal and shook up the campus with his rendering of, “A Day In The Life”. I video’d the performance and it is truly spell binding. He makes it look so easy, his notes perfect, his style unique and his presence all encompassing. However, it was at the end, after the final note was struck that I was able to hear him speak in reverence of Sir George that touched me deep. ”That there are three “G’s” that best describe Sir George, “G” one is for Generosity and his limitless contributions for bettering our lives and society on the whole, “G” two is for Gentleman of which the title “Sir” is bestowed and “G” three is for Genius for which we all can agree is simply what you are”. Growing up with the Beatles and listening to the soundtrack for the “Love” remixes for the Cirque Du Soleil show at the Mirage in Las Vegas, I am reminded of how wonderful and talented this group truly was, and how well they blended with their producer, Sir George Martin, and that it is evident that the apple (no pun intended) does not fall far from the tree. His son Giles partnered with his father on this remix collaboration and re-mastering of Beatle music that is absolutely incredible and so worth the effort to listen to. I am so happy that I attended. Evidence of a good time had by all. (see below)
Side By Side
April 25th, 2008
Well here they are, side by side with a nice little sleeping bag as sewn by John Cott of Pro Audio Rental, thank you John! There have been some moments of frustration in the final tuning of this pair, but in that process, something is learned and information is gleaned. Information I can share with you if you are interested in the slightest.I want to send a shout out first to the folks (folk) at Vintage Hammond.com, http://vintagehammond.com/ without who’s treasure trove of after market and vintage parts we could not have refurbished and outfitted our project. Thank you Jerrell Kautz and staff for your devotion and service. When I first fired up the Hammond at the studio, there was a strange sound, a sound that Kevin attributed to just plain analog Hammond noise. However, the sound only existed in slow speed operation of the Leslie. When I spun the horns and the fast speed motor kicked in the, “noise” disappeared. Upon further inspection we deemed it to be the high speed motor, which we then replaced. As it turns out the second replacement motor was much quieter, so the process of elimination went better than expected. Since both motors were new, it was just a matter of luck that motor number two did not make that sound which was quite annoying. I digress. Now, once you replace a motor in these devices, there is an adjustment process by witch you angle the motors to spin the fly wheel upon operation. This step is quite tricky. Needless to say, one needs a needle-nose pliers, small hands and a strong grip to adjust the three nuts that angle the shaft to activate and deactivate the motor upon operation. Once adjusted, the spinning action, slow/fast is now operational.
Hammond & Leslie Fini
February 24th, 2008



Today was the final day for resurrecting the “shine” and the fury of this Hammond B-3. With the addition of the percussion unit, the BCV is now an official B-3. Kevin Korecky applied both talent and skill as well as creativity and engineering prowess into this rejuvenation and restoration project. The result, sounds fantastic and looks 200% better. He breathed new life into this proud and unique instrument and deserves all of the credit for masterfully adapting and modifying this wood, making it worthy of any stage in the world. The pictures show you the clean and shiny keys, the recently stained and polished wood, the engineering adaptation to the Leslie in support of higher quality JBL drivers and the augmentation of percussion and a larger (huge & blue) capacitor in support of the power supply modification to reduce hum. Kevin also refurbished the pre-amp, and rebuilt the starting motor which was grinding a tad too much and replaced the older start and on/off switches. Thanks to Kevin Korecky of Pro Audio Rentals in Palo Alto, CA without whom I would have never undertaken (financed) this venture. Kevin, you are simply the best ;->
The Grammy’s
February 12th, 2008This year the Grammy celebrated 50 years of service to the musical and entertainment community. There was something for everybody, young and old, for all ages, timeless. I watched it and I discussed it, tracked the blogosphere for input and came up with this: It was long, colorful and full of surprises. Such as Amy Winehouse flipping the preverbal bird to the stoggy, aristocracy of big music business, the academy and the establishment in general. So nice that an artist can make people so nervous, Awesome! A defining moment for her and her mum. Speaking of MOM, some folks got a tad carried away, Kanye, which always seems to happen in the Hip Hop category. Those guys take it too seriously sometimes, carrying heat and acting all gangster. I want to give a nod out to Vince Gil whose gracious acceptance quip to, “a beatle” (Ringo Starr) was tasteful and funny. Herby Hancock winning the big award at the end was a nod to respectability. The Gershwin piano duet that he and Lang Lang performed, Rhapsody in Blue, was absolutely stunning. In essence, for a TV show, that is about as good as it is gonna get folks. Crank that shit up! So, in closing there were some great moments surrounded by a few not so good performances like the the opening duet with Alicia, I am over-rated, Keys and the ghost of Frank Sinatra, whom I listen to alot, was not good. Frank is simply too heavy and Alicia is too light, oil and water, it just don’t mix. Aretha Franklin still has the chops, but gospel is boring. The queen herself, Tina Turner, was on fire, scorching Beyonce in her presence, but I was not quite sure about the look, but still very funky. How about the killer, Jerry Lee Lewis on the comeback trail with the innovator, Mr. Tutti Fruiti, Little Richard and you know for the price of admission, how can you find fault in Grammy? We are all so jaded now that we have no time to reflect on how bombastic and expensive/pretentious we have become as a species. Do you ever get the feeling that it can’t last? But then, every year, here comes the Grammy, brining us all together and making us feel good about our musical souls. I dig that. Yeah, and don’t forget it’s just a TV show, o/k? Thank you Grammy for 50 years of great shows!
Hammond & Leslie United – It’s Alive!
December 13th, 2007
Ahh, today was a great day. We installed the Hampton Voltage Power Supply (This power supply was found insufficient without capacitor augmentation, to drive the instrument – refer to Post 2/24 “Fini” for more detail.) and brought up the BCV without it’s slave partner, the tone cabinet, and then fired up the modified, “Frankenstein” Leslie and voala! It’s alive! Not only is that beast alive, it screams, it growls and no matter what they tell you down at the music store, there is no sound like a Hammond with a souped up Leslie. There is such a growl with this Macintosh Amp (50 watts) and JBL drivers in place that it was almost too loud with the volume up half way. The organ sounds as analog and sweet as you can get and through the Leslie that classic vibrato and swirl came alive instantly. According to Kevin there are two issues to resolve; 1) there is a low 60 cycle hum, that we believe is caps in the pre-amp. So a simple maintenance sweep through the pre-amp should resolve this annoyance. 2) The “throw” or displacement of the JBL 15″ bottom end speaker actually bumps up against the cut out for the speaker causing a scraping sound. So we are simply installing a gasket to solve this minor issue. Talk about a screaming organ, this baby is growling like a lion, purrs like a kitten and sounds as sweet as a month old kitten, purring away. This is again, one of the oldest living legends on the planet. It would have been lost and left for dead, just like our freedoms and our democratic way of life, if not for the love of two individuals who embarked on a mission to resurrect this piece of Americana. Imagine what hundreds of people can do if they decide to embark upon removing the current administrations agendas from our daily lives and strike a blow for a kinder and more gentler America. Yes, we have been led astray, and we have most certainly been screwed by one of the most corrupt and idiotic administrations to have ever been elected to the presidency of the United States of America. In fact, we are still being screwed it this “tape erasing” insult to our intelligence and the Justice Departments complicity is not enough to sicken your stomach, then you have a bolder constitution than I. Yet, even though we have endured seven years of complete and total dereliction of duty and purposeful neglect, with a dream, a plan, some elbow grease and a vision, we can certainly overcome this set back and resurrect our democratic processes and let the the lovely swirling sound of freedom ring from our collective hearts. I mean how difficult can it be to simply accept our misgivings, continue to defy the administrations lies and deception and move forward with purpose, together? The answer is; as simple as rebuilding this classic instrument!
Hammond & Leslie Restoration Project
December 3rd, 2007
Well, I wanted to continue the patriotic theme and make these posts technically interesting as well. Kevin and I want to chronicle this restoration project and to share with you our journey in bringing this instrument back to life and to also upgrade the “package” so that it will be a road worthy and funky sounding instrument. These old Hammond’s take a lot of care and feeding. We found this Leslie, model 147 in a warehouse with a family of rats living inside. The Hammond BCV was lovingly owned by it’s original owner and family and passed on to me when it came time to move. It had been neglected, physically, but it is in working order, and sounds great with the Tone Cabinet that came with it. Suffice it to say, we are cleaning these beauties up, restoring them back to their true splendor and glory by upgrading, cleaning, refinishing, and updating wherever we can with all American parts, kind of. This will be a lengthy process and thus the post to the blog. We are going to bring back this piece of Americana and restore her dignity and her grace, much the same as what we should do to our nations tarnished and battered image in the world today. As our project goes, we are hoping we will find worthy and relevant topics of conversation to share on this post. This Hammond Organ is a Model BC, Circa 1943 – 1947 which would have sold for about $1370.00 US in that time period. You could have bought a home or a couple of cars for that kind of money back then as well. The actual age is yet to be determined, but, we are working on it. We are also adding a power supply and percussion module to make it more current and to get it closer to it’s predecessor, the B3 model. For all of you antiquity buffs out there, yes it is not in it’s original condition. We are intentionally beefing this system up and changing it’s illustrious character to accomplish a goal. ((Point of note, it had already been upgraded by it’s original owner from a model BC to a model BCV)) Plus, we plan on using this instrument for recording and ‘live’ music performance so it has to be up to snuff, road worthy and ready to rock!


